Hugo Wolf – “Italian Serenade”
Franz Schubert – B-flat sonata
Richard Strauss – Rosenkavalier Suite
Arnold Schönberg – “Transfigured Night”

with: Guy Braunstein, Rosanne Philippens, Ulrich Knörzer, Gilad Karni, Olaf Maninger, Zvi Plesser, Gili Schwarzman, Sacha Rattle, Chezy Nir, Ohad Ben-Ari, Gil Garburg and Sivan Silver

Antonín Dvořák – Dumky Trio
Arnold Schönberg – Chamber Symphony Op. 9
Felix Mendelssohn Bartholdy – “…oder soll es Tod bedeuten?”

with: Anna Prohaska, Guy Braunstein, Rosanne Philippens, Gilad Karni, Olaf Maninger, Zvi Plesser, Gili Schwarzman, Sacha Rattle, Chezy Nir and Ohad Ben-Ari

Betty Olivero – “Aria” for clarinet, violin, cello and piano
Johannes Brahms – Piano Quintet in F minor
Ludwig van Beethoven – Flute Quintet
Zoltán Kodály – “Dances of Galanta”

with: Guy Braunstein, Rosanne Philippens, Gilad Karni, Ulrich Knörzer, Olaf Maninger, Zvi Plesser, Gili Schwarzman, Sacha Rattle, Chezy Nir, Ohad Ben-Ari and Jonathan Aner

In cooperation with the Gorki Theater, two guest performances of the National Theater of Israel are scheduled as a part of the ID Festival Berlin 2017: the second evening will be proceeded by the discussion panel “Habima in Berlin” that explores the historical context behind the theater’s short-lived existence in the city.

This season Habima is celebrating its 100th anniversary. Originally founded in Moscow, in 1926 the company left Russia to find a temporary home in Berlin, before making its final journey to Palestine in 1931. The symposium will explore the Theatre’s connection to Berlin and examine the historical cultural and social conditions that allowed a Hebrew-speaking theatre to flourish in Berlin at the time.

Guests: Prof. Anat Feinberg (Heidelberg), Matthias Naumann (Berlin), Sebastian Schirrmeister (Hamburg). Special Guest: Ilan Ronen. Moderator: Ofer Waldman

In cooperation with the Gorki Theater, two guest performances of the National Theater of Israel are scheduled as a part of the ID Festival Berlin 2017: the second evening will be proceeded by the discussion panel “Habima in Berlin” that explores the historical context behind the theater’s short-lived existence in the city.

“Oráculo” is the second chapter in the progressive wave’s performance trilogy “Science of Signs”. After presenting “Lights & Vessels” at ID festival 2016, Gal Naor and Matan Zamir continue with the development of their unique dramaturgical language and the rendering of the ancient scriptures into contemporary stage directions. Displaying juxtapositions and overlaps of several spiritual doctrines, this performative hybrid is a thought-out collision between various ancient wisdoms, cultures and traditions.

“Oráculo” is the second chapter in the progressive wave’s performance trilogy “Science of Signs”. After presenting “Lights & Vessels” at ID festival 2016, Gal Naor and Matan Zamir continue with the development of their unique dramaturgical language and the rendering of the ancient scriptures into contemporary stage directions. Displaying juxtapositions and overlaps of several spiritual doctrines, this performative hybrid is a thought-out collision between various ancient wisdoms, cultures and traditions.

“Oráculo” is the second chapter in the progressive wave’s performance trilogy “Science of Signs”. After presenting “Lights & Vessels” at ID festival 2016, Gal Naor and Matan Zamir continue with the development of their unique dramaturgical language and the rendering of the ancient scriptures into contemporary stage directions. Displaying juxtapositions and overlaps of several spiritual doctrines, this performative hybrid is a thought-out collision between various ancient wisdoms, cultures and traditions.